Hi,
virtually none of my cables are shielded be they spindle cables or Home/Limit cables. Unless a route a sensitive cable right next to a spindle cable I don't have any noise issues.
When I designed my breakout board, I was careful to terminate every input circuit in a known resistance, and that has meant that all the inputs are relatively immune to noise.
Unless you can and are willing to design for similar noise immunity then shielded input cables are a sensible precaution, you
may. need the noise immunity conferred, then again you may not.
I'd recommend quality microphone cable; it has two cores and a braided shield. It's good for limit and home switches. Pro quality cable is meant for studio and concert use and is highly flexible.
This would be fine, and you can buy it by the meter rather than buying a 100m roll:
https://nz.element14.com/van-damme/2...ophone%20cable
In order to get the true benefit from shieled cables they need to be terminated either to, or preferably, through a ground plane.
Quite frankly it seems like a lot of effort to go to unless or until you've worked out whether it's even required. I mean you could build your machine
with unscreened cables and find as I have with my machine that they are not required.
To be honest I'd be saving the money and energy for stuff that matters, like getting stuff machined, or getting something cast or whatever.
Craig